‘And then again, I draw myself to the detail’
نویسندگان
چکیده
This article illustrates the creative process and conceptual impetus for development of piece Expanded Fields; a moving image installation with live performance, sound virtual reality which was first presented in Limerick City Gallery Art November 2019. The work highlights multiple filters through audience can encounter choreography, using range different media to invite viewer into various degrees proximity dancers movement. Co-authors Ruth Gibson Jenny Roche contextualise this collaboration undertaken artist Bruno Martelli, composer Mel Mercier dancers, Kévin Coquelard, Henry Montes Ursula Robb articulate application tools utilised create work. They draw on contributions from these collaborators their experience making as well materials produced by all involved piece. included Micro-phenomenological Interviewing (MPI), movement initiated writing, Skinner Releasing Technique (SRT), motion capture, filmmaking audio recordings. These methods were interwoven reveal tapestry experiential layers that be accessed when dancing or viewing dance. Placing them together within gallery space grounding perspectives episodic allowed material encountered sensorial frames, immersive VR environment where avatars moved close viewer’s body, foyer footage studio rehearsals could viewed tv screens. situates relation writing theorists such Teresa Brennan affect André Lepecki Derrida’s notion trace, alongside articulating potential alignments between SRT MPI.
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ژورنال
عنوان ژورنال: Performance Research
سال: 2021
ISSN: ['1469-9990', '1352-8165']
DOI: https://doi.org/10.1080/13528165.2021.2005955